Bio

I am a scholar and multidisciplinary artist pursuing a PhD in Texts and Technology at the University of Central Florida. Working at the intersection of critical theory and creative practice, my work spans adaptation studies, cinema and media studies, digital humanities, and comparative approaches to Irish and South Asian cultural production—all grounded in decolonial and postcolonial frameworks. My creative work—encompassing graphic art, independent publishing, music, video, and performance—explores memory, spatiality, and cultural critique through transdisciplinary, collaborative, and process-driven methods.

Core Research + Practices

My research applies digital tools and data-driven methods—such as Markov modeling, generative text algorithms, and computational text/image analysis—to the analysis and creation of work within literary, cultural, and textual studies, centering text and image as critical sites of inquiry.

Digital Humanities & Critical Making

Exploring critical, experimental, and participatory approaches to digital scholarship and creative practice.

  • Data Visualization
  • Experimental Authorship
  • Generative Writing as Ludonarratology
  • Interactive & Participatory Literature
  • Narrative Analytics
  • Remix Theory & Practice
Textual, Media, and Cultural Studies

Investigating how literature, cinema, visual art, and media negotiate identity, space, memory, and resistance, drawing on comparative frameworks.

  • Adaptation & Transmediality
  • Memory, Space, and Narrativity
  • Decolonial & Postcolonial Frameworks
  • South Asian & Irish Contexts
  • Solidarity Networks & Visual Culture
  • Epistemic Disobedience & Resistance