Ritchey III, Glenn S., ed. Oil Spill. By John Hoffman. Sifting Press, October 2024.
Edited, designed, and coordinated the publication process for this short story collection, contributing both editorial oversight, layout design, and the manufacturing process.
"'OIL SPILL’ – 6 Short Horror Stories Inspired by Stephen King & ‘The X-Files’ Available for Preorder!". Bloody Disgusting, October 2024. [link]
"Weekend Nachos Vocalist John Hoffman Discusses His Debut Short Story Collection." No Echo, September 2024. [link]
"***OIL SPILL INTERVIEW***." The Lo Fi Horror Guy, September 2024. [link]
"Worshipping Fear, Absorbing Terror: An Interview with JOHN HOFFMAN About His Short Story Collection OIL SPILL." Cvlt Nation, August 2024. [link]
Independent Publications
Lebor II – Self-published as Lebor Publications, limited pamphlet run, July 2023.
Limited-edition pamphlet featuring fragmented experimental writing and abstract storytelling, described as “the first part of a two-part exorcism, presented in reverse order.” It blends chaotic temporal loops, decaying structures, and surreal postmodern landscapes with gothic minimalism and blending of Central Scots. Written, edited, and designed by Glenn S. Ritchey III. Managed all aspects of production, from content to exclusive distribution at Topos Bookstore, Brooklyn, NY.
Lebor I – Self-published as Lebor Publications, limited pamphlet run, June 2023.
Limited-edition pamphlet featuring experimental writing and object design, published to incite new ideas and retire old ones. Described as “an unmixed, unmastered, non-existing dance mix single with a bloated preamble,” it blends conceptual critique with farcical reflection. Written, edited, and designed by Glenn S. Ritchey III, with implementation of the custom typeface Amalgam by Benjamin Tuttle. Managed all aspects of production, from content to exclusive distribution at Topos Bookstore, Brooklyn, NY.
Publications, under Pseudonym: AWG INC
“Vacances de Printemps sans Mon Amour.” SR50 Magazine, December 2019.
A farcical meditation on writing that blends genre disruption with surreal imagery. Drawing on Marguerite Duras and Alain Robbe-Grillet’s narrative techniques, the story reimagines the Beach Party series as an abstract, de-facto slasher, subverting genre conventions and audience expectations in arts and culture media.
“M. Accelerated: A Deconstruction of the ‘Spaghetti Western’ and Failed Cinema.” Pallor Pink Vol. 6: This Ain’t My First Rodeo, November 2019. [link]
A genre deconstruction reimagining the spaghetti western through the fragmented narrative style of Marguerite Duras and the iconic imagery of Sergio Leone. The work juxtaposes surreal visuals with reflective text, exploring the tension between genre conventions and personal, process-driven creation.
